Documentario n. 2

In the space of a few minutes we witness the passage from the presentation of the most typical didactic codes of documentary language to the hermetic production of the artist's own voice, which delivers a speech made up solely of numbers and different expressive intonations, while the images pass from the fixed shot of a numerical sequence transformed into a visual pattern to the black screen until, in that darkness, the sound is interrupted as if by the sudden jamming of an audio tape.